In "Memories of Home," a ceramic mural consisting of hundreds of terracotta tiles grounded in the principles of Sankofa. The mural draws inspiration from my African Caribbean heritage and uses cultural memory to reconnect to mark-making in West African mud architecture. With a Pan-African approach to connect the Black diaspora, each pattern carved in Jamaican clay embodies the tradition of Nigerian Uli and Kassena painting both freehand, and intuitive pattern design, that builds on the legacy of surface pattern design made by Black women. Each tile hand-pressed in an organic layout amplifies the traces of the hand in the process and beautifies the imperfection in each piece. The repetition is a visual illusion; no two pieces are alike, but in viewing the repetition, new memories are formed by always reaching to the past to embrace possibilities for the future.